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Accent & Dialect Coaching for Actors

I work with all levels of experience.

I'm available for coaching work in:

 

I offer:

Private Coaching

In-person (Auckland)

Virtual training on Zoom

Rates:

$75/60 minutes

$100/90 minutes

Specialities

General American

American Dialects: New York, Southern, California

Yiddish

Irish (Southern, Dublin)

British (RP and Cockney)

Italian (Southern)

German

Spanish & Ladino

Theatre 

Film 

Television 

Museum Theatre

Get in Touch

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Testimonials

Jess’ approach to accent and dialect work goes beyond the technical. She helped me root my performance in the emotional and cultural worldview of my character so that the accent work was more seamlessly connected to my character. I’ve never worked with someone who did more extensive research, and was also able to coach me with actionable, easy-to-understand techniques. 

Jess centers accent work around your skills - whether you’re new to accent work or have past experience. She built an actionable, easy-to-understand set of steps and tools that allowed me to feel confident in my accent, and focus

on the emotional performance on stage. She knew what was useful as an actor because she is one herself! And I’ve never met a coach who did more research on the cultural, social, and historical elements of an accent -- I’ve never felt more empowered and prepared! 

--Genevieve Simon

 

I worked with Jess at the Tenement Museum. She coached me to acquire two incredibly specific accents. One

was of a 14 year old woman who speaks Ladino, comes from Kastoria, and moved to America.

I interacted with visitors as if it were 1916 and I'd been in America for three years. She also coached me on

acquiring an 1868 Irish accent. For both dialects I needed to interact with individuals through improvisation,

utilizing slang from that time period. In just a few sessions Jess had me feeling so comfortable with both of these dialects that I apparently was speaking as these two characters in my sleep! I was especially nervous to start

dialect coaching with Jess because I have a hearing disability and had some very negative experiences with

coaches previously. It is very difficult for me to hear myself accurately and that makes acquiring accents an incredibly difficult and stressful process for me. I shared my concerns with Jess and she adapted her teaching to fit my needs. Rather than asking me to hear the differences between sounds, she instructed me using visual and physical terminology. We discussed tongue placement and sensations instead of sounds. I'm a classically trained actress and I've had about four years of intensive voice and speech work. Those few hours I shared with Jess were the best voice and speech training that I received. I felt so confident and supported the entire time. Working with

her didn't just help me acquire those dialects, it helped me become confident in a skill I never thought I could

possess. I strongly recommend training with her.

 

--Lily Lipman

 

During my time working with Jess I was able to master several dialects including some particularly difficult ones including Yiddish, Italian, Irish, and Ladino. Jess works with you in a practical way where the accent becomes something to play inside of, embracing it as another part of your character's identity and personality. Her

wonderful patience and creativity make her an excellent teacher and a pleasure to work with.

 

--Rebeca Miller

 

Jess is an excellent voice and accent coach. She is personable and knowledgeable, and she

makes the process accessible and informative no matter what level of mastery you have. Jess was able to quickly assess my strengths and challenges with my accent work and then provided multiple sources of support. Whether using aural review or charting IPA., Jess adapted her teaching to my individual needs and gave me several different tools (that I still use to this day!) to arrive at the right sound. 

 

--Shayna Vercillo

 

In June of 2013, I was hired by Jess to serve as a Costumed Interpreter/Educator at the Tenement Museum in lower Manhattan, New York. In this role, I portrayed multiple residents who once lived in this historic building. In order

to portray these residents, I was required to learn the accents of the residents from Ladino to Yiddish to Irish. I had not received any formal accent training before being hired by Jess in this role. Her dedication, passion, and knowledge of languages and accents helped me to only master these accents but also instilled in me the passion

to become a lifetime educator and first person interpreter. Jess's warmth, humor, and kind heart make working

with her one of the biggest joys of my entire life. 

 

--Alex Delare

 

Jess has been my accent coach for 5 years. She’s trained me on 4 different dialects for acting roles where sounding like a native speaker was top priority. She is absolutely dynamite. She’s deeply knowledgeable, easy to

understand, a delight to work with. Training with Jess has made mastering a new accent on a short timeline

worry-free. Jess is the real deal—I would recommend her work to anyone.

 

--Rose Connelly

 

I worked with Jess for many years at the Tenement Museum, during which time she provided me with coaching

for three different accents. She is incredibly thoughtful in her process - providing a range of resources and

expertise - and works closely to ensure a deep comfort and comprehension of the accent.  

 

--Kathleen Fletcher

 

Over the past several years, I've had the honor and pleasure to work with Jess as a dialect coach at the Tenement Museum. Jess provided ample materials, including basic vowel and consonant changes, practice sentences as well

as recordings, and I always felt well prepared going into every new role. Most notable is her exceptional warmth and patience, which in turn built my confidence and made the sessions so enjoyable. I highly recommend Jess as a dialect coach for any project, I credit her with all of my success in learning dialects at the Tenement Museum and my professional acting career.

 

--Lauren Schaffel

 

I had the wonderful opportunity of working with Jess at the Tenement Museum to learn two specific (and two

very different!) accents: Dublin-Irish and Kastoriali-Ladino.

My experiences with Jess as an accent coach were both joyful (despite the stress of working to acquire a new, challenging skill) and extremely instructive. She is an incredibly thorough teacher, who gave me multiple tools to work with on my journey. I particularly appreciated the wide range of her insights, which spanned from very physical understandings of how different accents should feel in one’s mouth and face to more academic analysis of the differences between various vowel and consonant sounds in my own natural accent versus my target accent. This range in tools really allowed the sessions to feel personalized towards what was working for me as a student, and gave me much-needed confidence going into my work.

All throughout the process, Jess was unfailingly patient, encouraging, and empowering.

I would whole-heartedly recommend her to anyone as an accent coach!

 

--Alexia Antoniou

I had a wonderful experience working with Jess on Ladino, Southern Italian, Irish and Yiddish accents. Not only does she have clear and accessible ways of understanding and learning accents, but she is also kind and immediately puts you at ease. I have acting training so Jess used IPA as well as other methods of learning accents, which felt most effective for me.

--Nicole Daniels

It was such a joy to work with Jess. Her guidance in mastering both German and Yiddish accents has enabled me to create rich, believable, and accurate scenes that I feel really proud of. Her enthusiasm, approachability, and kindness make working on accents with her a lot of fun, and she is also very adaptable. I happen to learn accents best through mimicry, rather than through IPA notation, and Jess very quickly picked up on this and geared her entire approach to my learning style. I have no doubt that had I been an IPA buff, she would have adjusted her approach in the opposite direction. I would highly recommend working with her.

--Josh Smith

My Background & Experience

My journey with accents and dialects started with my own training as an actor at NYU Tisch School of the Arts in New York City. It was there that I developed the skills to prepare for auditions and roles that required an accent other than my own. I was always fascinated by the mechanics of the voice, and accent work was one of my favorite aspects of getting my Drama degree. While working as a professional actor, I took a job as a public speaking coach. It was then that I realized that not only did I enjoy voice and speech work myself, but that I loved teaching. In 2009, I began working as a costumed interpreter at the Tenement Museum in New York City, portraying multiple real historic immigrant residents of an apartment building on the Lower East Side. This was a master class in accent work--during unscripted interactions with the visitors, I improvised in my character's specific accent, whether Yiddish, Irish, or Italian, for untold hours. From 2013-2020, I oversaw all aspects of training for the museum's theatrical programming, and coached a talented staff of professional actors and storytellers in finding and mastering the voices of the people they portrayed.

What's My Teaching Philosophy?

Kinesthetic: Learning by Feel

 

This is by far the most crucial component in how I teach accents and dialects. It works whether you've had formal training or not. What does the accent feel like? Where is it (broken down into specific vowels, diphthongs and triphthongs, and consonants) placed in your vocal apparatus (includes mouth, tongue, nasal and sinus cavities, throat)? How is it different from your own accent? How is it similar? I believe the kinesthetic approach and an emphasis on vocal placement is always the best training practice.

 

Aural: Learning by Sound 

 

Some people are really good at picking up accents “by ear.” Essentially, they are able to place a sound in their vocal apparatus by hearing it and then mimicking it. If this is how you like to learn, I make it part of my training. Actors, singers, and musicians may have consciously developed this ability, and for some people it just comes naturally.

 

But if this method doesn't work for you, don't worry, because it’s by no means a universal way that people learn. One of the reasons many actors feel insecure about learning accents is the expectation that they will learn by ear. If you have had a negative experience in the past, you may think you “just aren’t good at accents,” and believe me, this isn't the case.

 

I.P.A. (International Phonetic Alphabet)

 

My own training as an actor included learning I.P.A. It’s like learning a new language. All of the different sounds (in all of the planet’s many languages) are assigned symbols so they can be differentiated from each other. (Think about how many different, distinct vowel sounds are represented just by the letter “a” in New Zealand or American English.) Actors trained in I.P.A. may be accustomed to “scoring” their scripts if an accent other than their own is required (they write in the I.P.A. symbol for each sound change using an “accent key”) and then they practice with the sound changes.

 

In coaching actors, I incorporate I.P.A. if you are familiar with it already. Don't worry if you're a little rusty!

Character-Driven

How is a person’s voice rooted in their culture, identity, experiences, and emotional life? The character-driven approach will help you seamlessly incorporate the accent into your portrayal.

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